Not that I plan on directing the film is more convincing: apart from the usual acrobatic first-pers

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Two years after the unexciting The Amazing Spider-Man, Sony re-launches the saga of the Marvel web-slinger with The Amazing detective conan Spider-Man 2 - The Power of Electro, relying again on the team of Marc Webb (director) and Andrew Garfield and Emma Stone (protagonists). Again, the film is not at all faithful to the original detective conan story of Spider-Man's detective conan Land 616, and anyone who was disappointed by the previous version of the character, directed by Sam Raimi just for the licenses that you take, again threatens to quit from the cinema with a bitter taste in the mouth. And not only because of the total lack of philological interest to the universe ragnesco in favor of a more generic and indifferent young adult appeal, but for the overall mediocrity of the whole film, both in the script and on that of directing.
Webb and his team of writers, led by Alex Kurtzman, we propose a Peter Parker maybe a little nerdy, but cute in its awkwardness detective conan - in which Andrew Garfield lends his face and shared his modest detective conan air, certainly not by Hollywood star - who can not reconcile being Spider-Man, and all liability arising out of such powers, the love Gwen Stacy - perfectly captured in its shades of intelligent and sensitive girl, even before the pretty, Emma Stone, a name you can trust - who had promised to let off the hook to his dying father. They look good premise, shame about the developments are not equal, and that the only successful moments of the film are just comparisons between the two lovers, who have not digging too deep, they leave follow detective conan pleasantly; all around, a rambling story with a central detective conan Oscorp (yet another evil corporation that uses science to vile purposes), but in which everything seems to be attributable to Spider-Man programmatically, with the plot that is filled with sottostorie narrated in so uninteresting (such as the one concerning the parents of Peter) or just sketched (with Aunt May, a svogliatissima Sally Field, reduced to a pathetic appearance), and a rogues gallery of psychopaths among the least successful of all time, to do regret the already Lizard bad the first film. On the latter point, it is hard to determine whether it is more bankruptcy detective conan Electro whining and bipolar Jamie Foxx, not at all at ease in a test of way, or the Goblin young Dane DeHaan, who still seems to play the same role slimy and unbearable seen in young rebels; not to mention a dying Osborn's father (Chris Cooper) and a Rhino completely grotesque (Paul Giamatti detective conan casting choice in the history of perhaps the most WTF cinecomics), detective conan which appear on the screen for only a few minutes, but leave their mark in a negative as wasting their interpreters, excellent elsewhere. Oddly, then, the ideas of verbal humor that the character of Spider-Man by nature offers are underused, and chaos in general it is hard to remember detective conan gag worthy of note.
Not that I plan on directing the film is more convincing: apart from the usual acrobatic first-person shooting you'd expect (as usual impeccable), Webb accentuates the spectacular side of the story reciting exaggerated detective conan action sequences (from bad prologue on 'plane, in which one makes a mockery of physics even without superpowers), with visual effects that shamelessly copying other movies (the formation of Electro too reminiscent of that of Dr. Manhattan in Watchmen, Zack Snyder), or that do not go beyond the Tamarra (Rhino exoskeleton and machine guns like something out of a Michael Bay movie), and then be harakiri in a final battle, as long since it is common practice in cinecomics Marvel, particularly ugly and confusing, which moreover is tempted to copy to force the comic, except essersene kept away before, and despite