One of those who was my grandfather

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One of those who was my grandfather's works since the beginning of the case held, the authors present the winning project of reconstruction of SNG, architects Martin pieces and Pavol Paňák from the studio BKPŠ. Paul Paňák in its extensive study on the project in the magazine Architecture and Urbanism argue that competition is already in itself for the completion of SNG entered precisely because of admiration mangaku for my grandfather's work. Their ambition was not supposed "to add further significant formal gesture", but try to unify heterogeneous complex of buildings of different mangaku times and quality to functionally and operationally unified whole. The current complex SNG can actually creates a feeling disorganized set of objects, courtyards, archways and bridges that it lacks not only the already mentioned input core, but the overall composition is a clear hierarchy.
Panak pieces with the issue of diversity attempt to resolve essentially on a simple principle, namely the natural blending into one complex whole. Perhaps the brightest this strategy mangaku demonstrates the approach of architects to the exposed hole under bypassed by the competing projects are planned to enter into a glass wall along its height. Perhaps under the influence of ephemeral summer pavilion SNG from Martina Jančok and Aleš Šedivec that the last two summer seasons successfully tested life in the open courtyard galleries, architects modified the implementation plan and chose a compromise. Courtyard concluded mangaku only in the ground floor of a glass wall to serve primarily as a noise barrier and barrier to entry to the courtyard outside the opening hours of the gallery.
The positive impact of the project that brought a low-budget space pavilion to the embankment melted thoroughfare, but distancing the new SNG from the waterfront and from the pursuit of his conversion did not change. On the contrary, from today, the courtyard from the street should share not only a glass wall, but "trench" lapidary open to architects designed into the original space underground deposit.
Reclaim urban space, the pieces with PANÁK efforts on the other side of the gallery complex. Drop zone in fact largely turned towards the rear part of today's SNG to the historic town center, where it is naturally more vivid movement of potential visitors. At the same time this decision architects had to cope with much more complicated spatial and functional relationships, as well as the zone unattractive inner courtyard and the rear part of the hotel complex Carlton and other historical mangaku objects. Packages containing Panak therefore constitute a major input in the relatively densely built-up area, far from generous concepts generation of architects mangaku grandfather. However, the architect-ending mangaku possibilities for redevelopment of a "cleansed" area, on the contrary, envisage its even more concentrated, so to form a closed structure of streets and passages straight out of a postmodern urban concepts return to traditional street network and the Chamber Square.
However, not only the conclusion of a major new distribution movement to unite the visitor has complicated art gallery complex. Sceľujúce efforts can be interpreted also in the plans of the architect wrap surfaces controversial parts grandfathers extension specially designed facade elements, metal grates. Rost, the moiré effect is like Christ's sail aim to dampen the overall monumental mass action, as well as the effect of the "Communist" red color that many people from Bratislava and at heart. Surprisingly they architects pieces with PANÁK leave and after came at the suggestion itself grandfather and the shell discolouration bridge. The current project has in fact no provision for the preservation of the seventies favorites and aluminum facades of the so-called Alpa, replace it because the new metal surface gold color allegedly wanted Dedeček already used in the original proposal.
Abstract elitist aesthetics grandfathers project SNG it reveals the face of it accrues. Rendering of a single brand-new building of the National Gallery, deposits which pieces with PANÁK proposed as an addition to administrative tract largely represents a compromise today's architectural design. Closed monoblock deposit, which will be located in the conference room is to be completed by the sloped mangaku roof, matching the surrounding historical buildings. What has to connect this kind of a foreign mangaku trak with my grandfather's architecture is monumental replica abstract motifs from Alpa, which Dedeček mangaku conducted in backyard galleries administration.
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