Friday, May 15, 2015

SND Ballet decided to do just before Christmas the same way choreographic experiment, which consist

Bits and pieces for young choreographers in SND | OperaPlus
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SND Ballet decided to do just before Christmas the same way choreographic experiment, which consists of works SND some ballet dancers and students of Performing Arts under the name The Pieces. Confront will therefore study the SND professional dancers from the theater spawn (now in the role of choreography) and some of their younger colleagues from the Department of Dance Creation of Music and Dance Faculty of Academy of Performing Arts. The first four (Peter Country, Reon Sato, Adrian Ducin, Andrej Cagáň) know how talented dancers capable of creativity and improvisation. Recently they presented themselves in their tiny "improvizačkách" spawn within Nights theaters in art-dance project Signapur Luisa Canasovu Sorollu. It only perhaps a reminder that the choice is not about to quite random, but rather naturally, linked to the ambition and talent to develop movement and choreographic ideas, express their opinions, feelings and ideas. The other students are experimenting bunch VŠMU Michaela Nezvalová, Zuzana Andělová, Anton Lachky. Seven choreography has thus reveal seven youth perspectives on dance, respectively choreographic thinking their individuals. spawn A study on the scene we had the opportunity in the cycle of contemporary dance in SND already seen cooperation dancers and filmmakers of Performing Arts, this project was active dancers joined Slovak National Theatre with students. Three guys - Peter Country, Andrej Cagáň and Adrian spawn Ducin are seen not only as excellent dancers ballet company, but also a personality for whom we suspect more than a perfectly staged movement and should admit that they are in some way charismatic young men upon their own style. Manly trio closes ambitious Reon Sato, allowing its radiation and Japanese disciplined approach operates heads and uncompromisingly. His character, thinking, spawn ideas and emotions put all four to rigorously constructed choreography, which, understandably, did not want to disappoint. The choice of topics is characteristic of their young age, was approaching the maturity and adult meditative contemplation and, based on personal experience or generalizations generally valid truths. Indeed, there is not so much that the place of discovery, rather than to provide space creative dancers who feel the need to comment on their own movement language and tell about themselves "world" spawn more than just mechanical repetition spawn of dance excellence directed by someone else.
SND Ballet incorporate this project into its program dramaturgy rather ambiguous and uncertain. It is not clear whether it is a one-time event talent in their ranks, or repertory performances included in its regularity. Even within the fragmented promote the project has not been clearly defined, what kind of performance it is also a way of audiences perceived rather ambiguously. As if somehow alibi waiting what will come out of the project and according to its degree of success was further SND arrange whether it is for a permanent title, or occasional "festivalovku". This moment brings to the situation some hesitancy to persuade their choice. On the one hand, paradoxically, generously provided space for young talent, on the other, as yet quite Ballet keeping its decision not believe it. In this position, such an attitude on the whole surprising because the track Cagan, country, Ducina Sato theater and yet not "purchase" a kind of "pig in a poke."
Choreography, sets and costumes designed the creators themselves. Dancing on an empty neutral space, which gives opportunity will comply with the dances, the costumes are chosen simple color prevails monochrome (white, black, blue) color only appears moderate, more or less pastel tones except Choreographer Susan Andelová in a distinctive red. Scene atmosphere model only light (Lighting spawn Robert Polak).
The evening began with student part, apparently in order to give guests space first, or the team follows the principle of gradation. Michaela Nezvalová (1984 Žilina) is a dancer, choreographer and student of the Department of Dance Creation of the Academy of Performing Arts in Education classical ballet. In 2009, he nominated for the TAOS - dance personality season. Choreography period of silence Michaela Nezvalova spawn was "joining the male and female elements in one single spawn movement and emotion" as the author herself has defined it. In the black-white dress and in a timely amended lightening spawn are looking at purely poetic duet that motion-income derives. It does not address the fundamental thing here, it's on the line, space and beauty spawn of movement in time and space, where the choreographer plays with the gesture, pose, pairwise variation in transition

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